CV

Sophia Cai (b. 1989, China). Lives and works in Melbourne, Australia.

Education

2013 – 2014 – Masters in History of Art with Distinction, Courtauld Institute of Art, University of London

2008 – 2011 – Bachelor of Philosophy (Hons) with First Class Honours in Art History and Curatorship, the Australian National University

Awards, Grants & Opportunities

2017: Craft Emerging Makers and Curators Program – Craft, Melbourne

2016: Craft Writers Program – Craft, Melbourne

2016: SEVENTH Emerging Writers’ Program – SEVENTH Gallery, Melbourne

2013 – 2014: Friends of the Courtauld Scholarship, University of London

2011: Janet Wilkie Art History Honours Prize, the Australian National University

2008 – 2011: National Undergraduate Scholarship, the Australian National University

Talks & Appearances

2017: Panel Speaker, “Managing and Marketing Your Practice” as part of BLINDSIDE Gallery’s Professional Development series, 14 October

2017: Guest Lecture, “Curating Beyond the ‘Other’: Approaches to Gender and Identity Politics” at University of Melbourne, 5 October

2017: Guest speaker, “Curating Textiles” for RMIT Advanced Diploma Textile Design students, 31 July

2017: Panel Speaker, “Curating Relationships” as part of Australia-China Emerging Leaders Summit, The University of Melbourne, 29 July

2017: Panel Speaker as part of Chinese Whispers and Other Stories, exhibition at BLINDSIDE Gallery, 8 July

2017: Panel speaker, “Contemporary Asian-Australian artists in the Australian Mainstream” as part of Asian Arts in Australia: Long Pasts and Possible Futures, held in conjunction with AsiaTOPA, 31 March

2017: Curator Floor Talk, Closing the Distance, Bundoora Homestead Art Centre, Melbourne, 18 March

2017: Speaker, “In My Skin: Contemporary Chinese Photography” at Echo Chamber #6, Centre for Contemporary Photography, Melbourne, 2 March

2016: Speaker, “Revisiting Identity: Asian Art Dialogue #4” at Art History Student Society, University of Melbourne, 20 October

2016 : Guest Lecturer, “Coming of Age: Contemporary Chinese Photography and the Body” at Monash Gallery of Art, Melbourne as part of the China Grain to Pixel exhibition, 20 August

2016: Panel Chair, “China on the Move: Photography in a Changing Nation” at Monash Gallery of Art, Melbourne for the China Grain to Pixel exhibition, 7 August

2016: Workshop, MONOGRAPH: art reading circle at Museum of Contemporary Art, Sydney as part of the MCA Zine Fair, 12 June

Curatorial Projects

2017: Every Dog Will Have its Day, Casula Powerhouse Art Centre, Sydney (with Kathleen Linn)

2017: No Woman is an IslandBLINDSIDE Gallery, Melbourne

2017: Slice of Life, Craft, Melbourne

2017: Closing the Distance, Bundoora Homestead Art Centre, Melbourne

2016: Think PinkENOUGH Space, Melbourne (with Caitlin Shearer)

2016: Domestic Bliss, Little Woods Gallery, Melbourne

2016: Some words are just between us, Firstdraft, Sydney

2016: Wonky, Tinning St, Melbourne (with Caitlin Shearer)

2016: Playful, City Library Gallery, Melbourne

2015: Secret Garden, Long Division Gallery, Schoolhouse Studios, Melbourne (with Caitlin Shearer)

2014: Recovery in Art, The Muse, Sydney

2013: Interplay: MCA Staff Show, 107 Projects, Sydney (with Kathleen Linn, Peter Johnson)

Projects & Collaborations

2017: Reading Corner as part of Craft and Design as a Career, 2017.

2016 – ongoing: MONOGRAPH – a reading circle for artists and art lovers

2016: Crafthouse – craft club for artists, designers and makers

2015 – 2016: Dearest Projects – a creative and curatorial collaboration with Caitlin Shearer

Selected Publications

‘Poetry of the Everyday’, Journal for Australian Ceramics, Issue 57, November 2017 (forthcoming)

‘Cellular to Stellar’, catalogue essay for Linda Oy Ho’s solo exhibition, St Heliers Street Gallery, 4 August 2017 [link]

‘Five Ways With Clay’, Journal for Australian Ceramics, Issue 56, July 2017 (forthcoming)

‘Making Work/Making it Work’, Visual Arts Editorial for Peril Magazine, edition 30, 19 June 2017 [link]

‘Home Sweet Home?’, catalogue essay for Rosi Griffin’s solo exhibition Fractured Dwellings, St Heliers Street Gallery, 2 June 2017 [link]

‘Performing geographies: Asia TOPA arrives in Melbourne’, 4A Papers, Issue Two, May 2017 [link]

‘Looking Back to Look Forward’, catalogue essay for Ashley Ronning’s solo exhibition No Place Like Space, Magic Johnson, 3 February 2017 [link]

‘Renaissance Woman’, interview with Kate Rohde as part of the Craft Writers Program, 14 December, 2016 [link]

‘Umbilicus in Flux’, essay for Freÿa’s Black solo exhibition as part of the SEVENTH Emerging Writer’s Program, 9 November, 2016 [link]

‘BOOB’, catalogue essay for group exhibition ‘BOOB – Bias Objects Objective Bodies’, KINGS Artist-Run, 1 October 2016 [link]

‘In Conversation with Mikala Tai’, Peril Magazine, edition 24, June 2016 [link]

‘Not a Museum Postcard’, catalogue essay for Emma Hamilton’s solo exhibition ‘Angled Regard’, BUS Projects, 6 April 2016 [link]

‘It’s the Small Things’, exhibition review, Language of Labour, 22 February 2016 [link]

‘Uncommon Threads’, exhibition review, RAVEN Contemporary, 24 June 2015 [link]

‘Believe Not Every Spirit, But Try The Spirits.’ exhibition review, RAVEN Contemporary, 19 May 2015 [link]

Foreword in Recovery in Art 2014 exhibition catalogue, NSW CAG 2014, p 3. [link]

Crafting China:Textiles as Strategy in the Works of Gao Rong, Yin Xiuzhen and Lin Tianmiao, Masters Thesis, The Courtauld Institute of Art, July 2014. [extract]

‘Feel and Think: A New Era of Tokyo Fashion,’ exhibition review, ArtsHub, 9 July 2013 [link]

‘Go Figure! Contemporary Chinese Portraiture,’ exhibition review, ArtsHub, 28 September 2012 [link]

‘Beyond the Last Sky,’ exhibition review, ArtsHub, 10 September 2012 [link]

‘National Gallery of Australia Collection: Lucien Freud,’ in Antiques & Art in NSW, December 2011 to March 2012, p 96. [link]

‘Favourites from the NGA’s Renaissance exhibition,’ in The Canberra Times – Panorama, February 11, 2012, p 19. [link]

Past Present and Future: Contemporary Chinese Photography and Identity, Honours Thesis, Australian National University, November 2011. [extract]

Contributor: Radford, Ron, et al., Renaissance: 15th and 16th century Italian paintings from the Accademia Carrara, Bergamo, Canberra: National Gallery of Australia, 2011.

Professional Experience

2017 – ongoing: The Australian Tapestry Workshop, Melbourne – Public Programs Coordinator

2016 – ongoing: The Dolls House Gallery, Melbourne – Curator

2015 – ongoing: Independent curator and arts writer

2016 – 2017 : Bundoora Homestead Art Centre, Melbourne – Project Curator

2016 – 2017: Melbourne Library Service, City of Melbourne – Acting Community Heritage Curator, Gallery and Events Technician

2015: MARS Gallery, Melbourne – Art Consultant

2014 – 2015: The Ian Potter Museum of Art, Melbourne – Gallery Attendant

2013 – 2014: The Courtauld Institute of Art, London – Library Assistant

2013: Serpentine Gallery, London – Gallery Assistant

2012 – 2013: Museum of Contemporary Art, Sydney – Curatorial Research Intern for Senior Curator

2012 – 2013: Museum of Contemporary Art, Sydney – Gallery Host & Back Up Team Leader

2012: Art Gallery of New South Wales, Sydney – Curatorial Intern, Contemporary Art

2012: Annandale Galleries, Sydney – Gallery Intern

2011 – 2012: National Gallery of Australia, Canberra – Front of House

2011: National Gallery of Australia, Canberra – Curatorial Intern: International Painting and Sculpture

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